Aug 15, 2016
ERRO is an Icelandic artist, whose real name Gudmundur Gudmunson, born July 19 to Ólafsvík 1932.He arrived in Paris in 1958, after art and mosaic studies. It will become one of the major figures of narrative figuration.
During his travels around the world, Erró collect images (advertisements, news photos, cartoons, posters, policy papers) that are his source of inspiration. It selects, assembles, accumulates at his pleasure – always with humor, sometimes with anguish and violence – on the canvas to form tables are all reading that view. Painting is a place of experimentation, where it can do the old with the new. It is the private form of utopia, the pleasure of contradicting the happiness of being alone against all, the joy of cause. It reveals and denounces the aberrations of our society: consumer directed erotic mercantile revolutions, existence Americanization …
In some of his compositions, he cleverly inserts characters from paintings by Ingres, Delacroix, Léger and Picasso, which was found coexisting with movie stars, politicians or comics heroes.
He often works in series : Chinese cycles , political, erotic . I need efficient equipment and , during my travels, I searched everywhere in discount stores books in kiosks . I accumulate a huge amount of material , and when I met a lot of images relating to a theme, it’s a sign to start a series. The process then is to select images , in the ” married ” together to make collages and paintings .
In June 2001, the Erró Collection of the Museum of the City of Reykjavík is presented to the public in its new framework Hafnbarhúsid in favor of a major retrospective.
Numerous exhibitions devoted to his work both in France and abroad.
Several retrospective was dedicated to him in 1985 at the Modern Art Museum of the City of Paris and in 1999 at the National Gallery Jeu de Paume. In 2005, the Strasbourg Museum of Modern and Contemporary Art of Palma de Mallorca and the Mannheimer Kunstverein present a retrospective exhibition (1958- 2004) and the IVAM in Valencia and Alcalá 31 in Madrid in 2006.
Aug 15, 2016
Charlotte LACHAPELLE is born in 1955 in Souillac in the Lot.
His childhood was rocked by the length of the Quercy.
Founding member of the Group Modern Primitives “said Naifs”
Salon d’Automne International Art Salon Naif Paris. Associate of French Artists.
Group exhibitions:
CROISSY – PAU – MOUGINS – Vaison la Romaine – MEGEVE – Anglet – Belgium – England – Switzerland – USA – CANADA – JAPAN – GERMANY – SPAIN – ITALY.
Museums:
Museums Sherbrook: CANADA
Naif museum Lannes: BELGIUM
Museums of Art Naif Max Fourny, the Halle Saint-Pierre Paris
Museums of Art Naif of the Ile de France to Vicq.
Founding member of the primitive painters group , his work is presented in various museums , is a serenade to happiness. It communicates a sense of peace , tenderness and freshness. It is a testimony of sensitivity , it is a poetic look , these are the states of mind of an artist who has definitely chosen to slam the door in the gloom.
rewards:
First Audience Award, International Exhibition, Nancy, 1988.
Knight with Academic Palms Silver Belgium.
Switzerland Price with Special Mention.
Medal of the City of Orléans
Television :
FR 3 Champagne
An enchanted and enchanting world, that of Charlotte LACHAPELLE.
In this artist, all plastic elements are represented: the composition, balance, color harmony; and despite perfection, nothing is static, everything sings, free, vibrate under our eyes.
Charlotte LACHAPELLE is present on the New edition of BENEZIT, Volume VIII, page 127. Edition Gründ 1999.
“For me painting is above all a pleasure . Fun to contrast colors or soften in pastel shades , to degrade . Pleasure to camp in my characters a gesture, an attitude and stage all.
Pleasure to compose all the elements, with obsolete items familiar , unusual . Pleasure to share with you and draw you into the magical world of childhood memories, in a world in brackets , idealized , tender and nostalgic, to the magic of a happy world . ” Charlotte Lachapelle
Aug 15, 2016
Guy Fontdeville was born April 2, 1947 in Toulouse.
A graduate of the School of Fine Arts in Toulouse.
Exhibitions :
1989-2011: Salon des Artistes Southerners – Toulouse
1992 Salon d’Automne – Paris
1994: European Fair International – Montreux
Creating Posters:
1991: Displays Regional Tourism Committee Midi Pyrenees.
1995 Poster Fight against cancer, Centre Claudius Régaud – Toulouse.
1996: Displays the Atlanta Olympic Games (USA).
References :
Painters and sculptors of the great Southwest – Art publishing “Regards” Art in all its forms: Painters and sculptors of Midi -Pyrenees – Edition ” Fusart ” Masters in Provence – Publisher: Monique Dijaux – Emieux Painting
Painting Fontdeville penetrates us , we invaded , fills us … the material is silky and beautiful, bold color in his reports …
“Bruises unfathomable to the most ardent orange, Fontdeville works in the dough and fresh, generously, in large flat areas in momentum, the dynamics of gesture and knife. ”
The work of Fontdeville targets informed art lovers … His technique is based on the essential criteria: the mastery of sign, the drawing invisible at first glance there is nevertheless essential base that will disappear under the spatula, mix, mixed work and painting.
As in literature, find the right words to say essentially it is the same in painting Fontdeville, the “write” facilitated by eliminating unnecessary details … great art, spontaneously go to the aim, in a soaring notes sound flat areas treated with flexibility.
Guy Fontdeville dare colors! All colors without limit. It makes them live so they talk to meet and talk to us.
Blue unfathomable to the most ardent orange, Guy Fontdeville works in the dough and fresh, generously, in large flat areas in momentum, the dynamics of gesture and knife.
Attentive to the purity of the online access to the most subtle confines of balance. Jean -Louis April (Univers des Arts).
Aug 15, 2016
Dominique Mulhem was born in Neuilly-sur-Seine June 13, 1952.
1975: Training at the Ecole Nationale Superieure des Beaux-Arts in Paris.
His painting refers to pop culture and art Ownership (art) by his inspiration. His technique was initially very pop art with the use of the bomb and stencils and more hyperrealistic with airbrushing to become a modern pointillism.
It was the first multimedia artist inventing in 1979 the holopeinture where he mixed paint holography. He had to work in the early 70s on the different 3D rendering techniques.
Beyond its highly representative form, his painting is primarily conceptual. The themes are the lives of people and things, without limit in treated subjects. All the work of Dominique Mulhem has the same theme : the concept of simultaneous vision. “The look from inside” as Pierre Restany said.
INTERNATINALES EXHIBITIONS:
GERMANY, CHINA, COLOMBIA, KOREA, DENMARK, EGYPT, SPAIN, UNITED STATES, GREECE, FRANCE, HUNGARY, ITALY, LUXEMBOURG, MONACO, RUSSIA, SWITZERLAND.
Dominique retrospective MULHEM 1972-2009, City of Asnieres-sur-Seine, France.
PRESENCE IN MUSEUMS :
Museum of Holography, Paris, France.
Hungarian National Museum, Budapest, Hungary.
Museum of Holography, Washington, USA.
Zamalek Museum and Arts Centre, Cairo, Egypt.
Scarification :
Dominique Mulhem develops a suite of amazing concepts, suite, analysis, updating, revisiting any of these terms is false but none are true, the most appropriate choice would be thinking.
Thinking back on as thought to further examine refraction and reflection as to take another propagation velocity of the history of art. It shall submit the artwork to a movement infinite in space and time.
In the 80’s Portraits of Artists planned painters and sculptors between past and future by offering a three-dimensional holograms vision. In the 90s his imaginary museum, Pierre Restany wrote: “Dream Creatures to a dream before painting it’s more!” In “I should say, because my eye has been unable to separate things, to erase this simultaneous vision, to separate the two elements “.In the 2000s Zones, timeless journeys in the words and sentences of Guillaume Apollinaire’s poem.
Every decade Mulhem shares his world view. Today his scars challenge us on different characteristics of our society to the standardized culture object of mass consumption. Between our secret desires of mutilation look at the work and social scarification whether ethnic, tribal or modern post these incisions on the skin of the painting signify membership revealed to the world the art by opening a new space a ventilation for a need to breathe again.
All the work of Mulhem has the same theme: the concept of simultaneous vision.
Aug 15, 2016
PARCELIER Laurent was born in 1962 in Auvergne.
After studying Applied Arts Duperré in Paris, he started in the comic. He published 8 albums at Casterman.
Meanwhile he began to devote himself to painting. It exclusively since 1996. Since that date, after several shows and exhibitions he exhibited in several galleries in France and the USA.
If we had two words, not one more set for the work of Laurent PARCELIER, it would be poetry and light. Which might be added, luxury, calm and voluptuousness, love of nature, quiet places and warm family atmosphere.
Poet of light, the poet is assured. Blink eyes slightly, place in front of one of his paintings and watch it at your leisure, you will only see sparks of light everywhere.
Laurent PARCELIER gives the impression of living in eternal holiday, between Provence and Luberon.
Happy and contemplative, flowing peaceful days with family in a beautiful house, basking in the sun of the south, nestled in a village clinging to the hillside, with the only horizon, the sky, the sea, a flowery plain, wooded mountains, offering bahous bald head to the caress of the day.
Impressionism :
As part of the largest movement of traditional French impressionist painting, and more specifically, the work of Parcelier is not less remarkable and very personal.
The visitor’s eye is first attracted by the graphic writing that comes from his experience in the world of comics. It was then struck by the meticulous and rigorous construction of his paintings. There is indeed a kind of spine that allows the color, broadcast by a multitude of light touches, not to get lost in a chaotic abstraction.
The works of Laurent Parcelier are part of many private collections throughout the world, and are well known to art lovers from France and Europe.
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