SPARK

SPARK

Benjamin Spark is a French painter born in 1969. He lives and works in Brussels.

At the age of 28, Spark is part of the Fine Arts in Paris before flying to the United States for inspiration. He then moved back to Belgium to perfect his style. He devoted himself entirely to his art.

It draws on the mass media, caricature, advertising, and most of the comic. It is directly in line with the Pop Art movement, and more specifically from Pop Art Brussels. This is an unusual mix of European urban art and the influences of the AMERICAN WAY OF LIFE.

He developed his own techniques and a very special skill, with highly finished compositions. Spark feeds the world around him to recreate his own universe full of humor. Through painting, he expresses his feelings and his feelings towards the world. Refreshing, his works announced a new milestone in Pop Art.

His works have evolved over time, particularly following the arrival of the internet, which will amend the agreements previously established by s.

Since 2007, Spark has exhibited in Paris, Brussels, Düsseldorf, New York, Marrakech and more.

Benjamin Spark is a major artist on the French scene of urban neo-pop art.

Approach:

His work will arise a complex patchwork influenced by the narrative figuration, graffiti, tag, manga and Pop Art. All for lying compositions on canvas where necessary contemporary graphic icons.

His artistic culture is at the height of his career.

By copying the images of our popular culture, the artist is not interested in reproduction as such but the memories and beliefs associated with it. This is a significant reclaiming the imagination of the industry.

The artist says: “What interests me is that produce images that produce forms. Each work is a clean path. “

NOLLEAU

NOLLEAU

Laurence Nolleau

Laurence NOLLEAU excels in the art of contemporary incisive portrait …

Born in 1963, Laurence Nolleau traveled from an early age and discovered, through his parents’ business trips, the light of the Middle East and North Africa.

Protracted stopover in Algeria will create a deep friendship between the family of Laurence and Joan Bachs Spanish painter and former curator of the museum in Barcelona. Laurence, who was then 6 years old is already passionate about drawing. There is no doubt that this meeting has been instrumental in his career.

Her attraction to art manifests itself initially through drawing. Back in France, Laurence follows a dual training as a designer-model ESMOD Paris, She receives from the hands of Jean Louis DUMAS-HERMES, the third price model.

His first apprenticeship at DIOR in 1987, overseas missions for the group BOUSSAC and works in collaboration with French brands such as Caviar, Zapa …

The career of Laurence NOLLEAU sits upon becoming Director of collections for Europe an Australian brand, a position she held until 2001.

In 2002 it was the turn, Laurence decided to give free rein to his artistic vocation and leaves the field of fashion to shut herself in his painting studio.

Only after 8 years of exploration work and technique that the artist decides to offer his work to art Gallery.

Oil, a revelation, memory material that keeps track of every move of the artist who incises, cuts, cuddles, scrapes the paint on the canvas. Armed of her knife, Laurence sculpt her faces with energy to deliver us impactful graphic works. The colors are bright and intense, hypnotic eyes, the striking portraits : expressionism takes here is meaning.

“The truth without compromise still has jagged edges,” said the American writer Herman Melville.

RUBINSTEIN

RUBINSTEIN

Born in 1960 in Paris, Patrick Rubinstein is a contemporary French artist from the world of fashion working his paintings on a concept of OPT ART (Kinetic Art).

Thanks to an innovative technique his works offers you 3 different views depending on your angle vision and giving you 3 times more emotions.

You would like to see the idols of your youth? Patrick Rubinstein stages them for you by combining a unique optical game to another image. For Michael Jackson? A graph of “Beat It” in a nod to his worldwide hit in 1982.

The Beatles? The Union Jack. For the four giants of the fifties, Spiderman, Betty Boop, Super Man and Marilyn?… The same, but in color or black and white, depending on the angle of view … We are in the pop and street art, game design, dynamic and generous. But in the op art, optical art, which plays everything and especially to us, to our delight.

Everything begins as Patrick Rubinstein is still a teenager. He loves art, film cameras and kinetics. What to choose between the three? Nothing – that is all. It sectional lamella a picture, the intercalates with another, then glue the image reconstructed on a support, a tent folded up concertina and obtained a work in relief.

From the front, the picture is double, the two photos overlap, but for perspective, the effect is stunning. Depending on the angle, there appears only one of the two images. His concept was born in 3D.

His first creations are made from portraits of his relatives. A mother and son, brother and sister, father and daughter … Quickly, his visual game is a great success beyond his entourage. It must continue – all is how? His technique is still too small-scale to support more sophisticated designs, even more so in size XXL.

MULHEM

MULHEM

Dominique Mulhem was born in Neuilly-sur-Seine June 13, 1952.

1975: Training at the Ecole Nationale Superieure des Beaux-Arts in Paris.

His painting refers to pop culture and art Ownership (art) by his inspiration. His technique was initially very pop art with the use of the bomb and stencils and more hyperrealistic with airbrushing to become a modern pointillism.

It was the first multimedia artist inventing in 1979 the holopeinture where he mixed paint holography. He had to work in the early 70s on the different 3D rendering techniques.

Beyond its highly representative form, his painting is primarily conceptual. The themes are the lives of people and things, without limit in treated subjects. All the work of Dominique Mulhem has the same theme : the concept of simultaneous vision. “The look from inside” as Pierre Restany said.

INTERNATINALES EXHIBITIONS:
GERMANY, CHINA, COLOMBIA, KOREA, DENMARK, EGYPT, SPAIN, UNITED STATES, GREECE, FRANCE, HUNGARY, ITALY, LUXEMBOURG, MONACO, RUSSIA, SWITZERLAND.
Dominique retrospective MULHEM 1972-2009, City of Asnieres-sur-Seine, France.

PRESENCE IN MUSEUMS :
Museum of Holography, Paris, France.
Hungarian National Museum, Budapest, Hungary.
Museum of Holography, Washington, USA.
Zamalek Museum and Arts Centre, Cairo, Egypt.

Scarification :
Dominique Mulhem develops a suite of amazing concepts, suite, analysis, updating, revisiting any of these terms is false but none are true, the most appropriate choice would be thinking.

Thinking back on as thought to further examine refraction and reflection as to take another propagation velocity of the history of art. It shall submit the artwork to a movement infinite in space and time.

In the 80’s Portraits of Artists planned painters and sculptors between past and future by offering a three-dimensional holograms vision. In the 90s his imaginary museum, Pierre Restany wrote: “Dream Creatures to a dream before painting it’s more!” In “I should say, because my eye has been unable to separate things, to erase this simultaneous vision, to separate the two elements “.In the 2000s Zones, timeless journeys in the words and sentences of Guillaume Apollinaire’s poem.

Every decade Mulhem shares his world view. Today his scars challenge us on different characteristics of our society to the standardized culture object of mass consumption. Between our secret desires of mutilation look at the work and social scarification whether ethnic, tribal or modern post these incisions on the skin of the painting signify membership revealed to the world the art by opening a new space a ventilation for a need to breathe again.

All the work of Mulhem has the same theme: the concept of simultaneous vision.

PARCELIER

PARCELIER

PARCELIER Laurent was born in 1962 in Auvergne.

After studying Applied Arts Duperré in Paris, he started in the comic. He published 8 albums at Casterman.

Meanwhile he began to devote himself to painting. It exclusively since 1996. Since that date, after several shows and exhibitions he exhibited in several galleries in France and the USA.

If we had two words, not one more set for the work of Laurent PARCELIER, it would be poetry and light. Which might be added, luxury, calm and voluptuousness, love of nature, quiet places and warm family atmosphere.

Poet of light, the poet is assured. Blink eyes slightly, place in front of one of his paintings and watch it at your leisure, you will only see sparks of light everywhere.

Laurent PARCELIER gives the impression of living in eternal holiday, between Provence and Luberon.

Happy and contemplative, flowing peaceful days with family in a beautiful house, basking in the sun of the south, nestled in a village clinging to the hillside, with the only horizon, the sky, the sea, a flowery plain, wooded mountains, offering bahous bald head to the caress of the day.

Impressionism :
As part of the largest movement of traditional French impressionist painting, and more specifically, the work of Parcelier is not less remarkable and very personal.

The visitor’s eye is first attracted by the graphic writing that comes from his experience in the world of comics. It was then struck by the meticulous and rigorous construction of his paintings. There is indeed a kind of spine that allows the color, broadcast by a multitude of light touches, not to get lost in a chaotic abstraction.

The works of Laurent Parcelier are part of many private collections throughout the world, and are well known to art lovers from France and Europe.