MULHEM

Aug 15, 2016

Dominique Mulhem was born in Neuilly-sur-Seine June 13, 1952.

1975: Training at the Ecole Nationale Superieure des Beaux-Arts in Paris.

His painting refers to pop culture and art Ownership (art) by his inspiration. His technique was initially very pop art with the use of the bomb and stencils and more hyperrealistic with airbrushing to become a modern pointillism.

It was the first multimedia artist inventing in 1979 the holopeinture where he mixed paint holography. He had to work in the early 70s on the different 3D rendering techniques.

Beyond its highly representative form, his painting is primarily conceptual. The themes are the lives of people and things, without limit in treated subjects. All the work of Dominique Mulhem has the same theme : the concept of simultaneous vision. “The look from inside” as Pierre Restany said.

INTERNATINALES EXHIBITIONS:
GERMANY, CHINA, COLOMBIA, KOREA, DENMARK, EGYPT, SPAIN, UNITED STATES, GREECE, FRANCE, HUNGARY, ITALY, LUXEMBOURG, MONACO, RUSSIA, SWITZERLAND.
Dominique retrospective MULHEM 1972-2009, City of Asnieres-sur-Seine, France.

PRESENCE IN MUSEUMS :
Museum of Holography, Paris, France.
Hungarian National Museum, Budapest, Hungary.
Museum of Holography, Washington, USA.
Zamalek Museum and Arts Centre, Cairo, Egypt.

Scarification :
Dominique Mulhem develops a suite of amazing concepts, suite, analysis, updating, revisiting any of these terms is false but none are true, the most appropriate choice would be thinking.

Thinking back on as thought to further examine refraction and reflection as to take another propagation velocity of the history of art. It shall submit the artwork to a movement infinite in space and time.

In the 80’s Portraits of Artists planned painters and sculptors between past and future by offering a three-dimensional holograms vision. In the 90s his imaginary museum, Pierre Restany wrote: “Dream Creatures to a dream before painting it’s more!” In “I should say, because my eye has been unable to separate things, to erase this simultaneous vision, to separate the two elements “.In the 2000s Zones, timeless journeys in the words and sentences of Guillaume Apollinaire’s poem.

Every decade Mulhem shares his world view. Today his scars challenge us on different characteristics of our society to the standardized culture object of mass consumption. Between our secret desires of mutilation look at the work and social scarification whether ethnic, tribal or modern post these incisions on the skin of the painting signify membership revealed to the world the art by opening a new space a ventilation for a need to breathe again.

All the work of Mulhem has the same theme: the concept of simultaneous vision.

PARCELIER

Aug 15, 2016

PARCELIER Laurent was born in 1962 in Auvergne.

After studying Applied Arts Duperré in Paris, he started in the comic. He published 8 albums at Casterman.

Meanwhile he began to devote himself to painting. It exclusively since 1996. Since that date, after several shows and exhibitions he exhibited in several galleries in France and the USA.

If we had two words, not one more set for the work of Laurent PARCELIER, it would be poetry and light. Which might be added, luxury, calm and voluptuousness, love of nature, quiet places and warm family atmosphere.

Poet of light, the poet is assured. Blink eyes slightly, place in front of one of his paintings and watch it at your leisure, you will only see sparks of light everywhere.

Laurent PARCELIER gives the impression of living in eternal holiday, between Provence and Luberon.

Happy and contemplative, flowing peaceful days with family in a beautiful house, basking in the sun of the south, nestled in a village clinging to the hillside, with the only horizon, the sky, the sea, a flowery plain, wooded mountains, offering bahous bald head to the caress of the day.

Impressionism :
As part of the largest movement of traditional French impressionist painting, and more specifically, the work of Parcelier is not less remarkable and very personal.

The visitor’s eye is first attracted by the graphic writing that comes from his experience in the world of comics. It was then struck by the meticulous and rigorous construction of his paintings. There is indeed a kind of spine that allows the color, broadcast by a multitude of light touches, not to get lost in a chaotic abstraction.

The works of Laurent Parcelier are part of many private collections throughout the world, and are well known to art lovers from France and Europe.

KERDALO

Aug 15, 2016

Born in 1962 in the Puy-de-Dôme, Kerdalo lived a childhood of Fine Arts. He spends his time drawing, coloring, painting, cutting, shaping.

Graduated from the School of Applied Arts in Paris, he started in the comic and Parallel to painting.
Since 1996, he devoted himself exclusively to painting.

Kerdalo offers us a rare and amazing writing that combines monochrome colors, to give us a full oil painting of life and lights …

Indeed, the work of Kerdalo not belong to any known phenomenon, it may be appropriate for him to invent the term modern impressionism to describe this new pictorial approach.

Animated with a rare gift for the treatment of light, Kerdalo register as the heir of the great Impressionists. With an experience of three decades, he has invented a truly innovative painting without ever leaving intoxicated by his success.

Kerdalo continues to use the most noble and most demanding because painted in oil, with a fluid touch that has no need of subterfuge thickness to be fully expressed.

In true ethnographer, Kerdalo tells the city by offering a pictorial evocation that fits perfectly in the twenty-first century. It is undoubtedly in the tradition of painters who believe that painting is a form of expression that can adapt to the times.

And as there is no lack of audacity, or ideas, the result is a measure of his immense talent. Present in many prestigious galleries in France, it is now moving into foreign galleries, its reputation is therefore well established in his country.

Kerdalo is a painter as one might think “hyper-realistic”, but his work is more personal. Marked by respect and the search for movement, he developed his own style. His subjects, mostly urban, are perfect to capture the moment as a still picture freezing animation of our cities.

AIIROH

Aug 15, 2016

AIIROH is born in Narbonne in 1987, it is a French artist.
He paints and draws from a young age.

Working for some years as a graphic designer in France and Switzerland, Aiiroh draws inspiration from trends Pop Art, New Pop Art and Street Art.
Out of art school, it is oriented in the field of communication in order to become a graphic designer.

It was during this period that he decided to create these paintings using advertising or posters of the elements straight out of the street.
One of these early work consisted has to confront the dessinnée strip hero who inspired it since his childhood.

It diverts the image we may have of these characters.
In some of his works, the artiste AIIROH integrates brands to remind dependency that human beings consumer products.

The graphical power of these brands as it has an effect on our collective unconscious and on our aesthetic codes.
In line with its Pop-art predecessors, Airoh uses mixed and technical information, as affichisme, gluing crystals svarowsky, acrylic paint, stencil, freezing.

For the past three years, he is focusing on re-interpretation of iconic figures and pop symbols through posters he finds in the streets of Paris, Marseille, Lyon, Toulouse, Narbonne, next to his old graffiti “spots”.

He is a well-established artist in France, Switzerland, and USA.

The artist AIIROH is part of this new generation Neo Pop Art.

Neo Pop is not a new movement in itself but rather a resurgence of work on popular culture, and an accommodating means of classifying different artists that constitute it.

This path functions as the major entertainment media, which produce images and disposable icons, and trying to compete with them.

Yet the New pop differs in some respects from his senior. Society has changed, art too. Its artists seek to show how the negative side of cultural colonialism can be transformed into “strangely beautiful anomalies”. Their work is the result and the reflection of the society of globalized information.

Thus it is not to transform the aesthetics of everyday life into art but rather to demonstrate that art and consumerism, popular culture, are level and can coexist in the same image.

This current rejects the idea of a higher art to others, and wants to be close to the people and buyers, accessibility is his watchword