Aug 16, 2016
Nathalie Seguin was born in Angers in 1964.
Daughter of a painter, she always loved turning the material: silk, wood … And it is the job of the earth that allowed him to withdraw more emotion, movement, and sincerity.
Known for its dancers, the movement is always on the verge of breaking balance.
Moreover, the patina of different colors and textures for the body and the dress reinforce this swirl print.
Nathalie Seguin has won numerous first prizes and awards:
Award of the Minister to the Saint Germain Corbeils May 2011
Academy Silver Medal Arts and Sciences-Letter June 2010
Premer sculpture prize of the exhibition Art lounge Joinville-le-Pont April 2010
First Prize of the Lions Club of Draveil March 2010
Sculpture Award of 45th March 2010 Exhibition Vésinet
Guest of honor at the Maison-Alfort salon in May 2009
Guest of honor at the 32 th March 2009 art fair Florentais
1st prize for sculpture in the city of Villemomble March 2009
Guest of honor 8th exhibition of artists joinvillais October 2008
Audience Award lounge Alforville Jan 2008
Gold Medal at the 7th artists living joinvillais November 2007
Sculpture 1, 2007 price of a townhouse-Alfort
silver medals in Joinville-le-pont (2005 and 2006)
1st Public Prize at the Salon des Artistes joinvillais (2004)
1st prize for sculpture in the city of Saint Maur des Fosses (2004)
Nathalie Seguin was born in Angers in 1964.
Daughter of a painter, she always loved turning the material: silk, wood … And it is the job of the earth that allowed him to withdraw more emotion, movement, and sincerity.
Known for its dancers, the movement is always on the verge of breaking balance.
Moreover, the patina of different colors and textures for the body and the dress reinforce this swirl print.
Nathalie Seguin was born in Angers in 1964.
Daughter of a painter, she always loved turning the material: silk, wood … And it is the job of the earth that allowed him to withdraw more emotion, movement, and sincerity.
Known for its dancers, the movement is always on the verge of breaking balance.
Moreover, the patina of different colors and textures for the body and the dress reinforce this swirl print.
Aug 16, 2016
Laurence Nolleau
Laurence NOLLEAU excels in the art of contemporary incisive portrait …
Born in 1963, Laurence Nolleau traveled from an early age and discovered, through his parents’ business trips, the light of the Middle East and North Africa.
Protracted stopover in Algeria will create a deep friendship between the family of Laurence and Joan Bachs Spanish painter and former curator of the museum in Barcelona. Laurence, who was then 6 years old is already passionate about drawing. There is no doubt that this meeting has been instrumental in his career.
Her attraction to art manifests itself initially through drawing. Back in France, Laurence follows a dual training as a designer-model ESMOD Paris, She receives from the hands of Jean Louis DUMAS-HERMES, the third price model.
His first apprenticeship at DIOR in 1987, overseas missions for the group BOUSSAC and works in collaboration with French brands such as Caviar, Zapa …
The career of Laurence NOLLEAU sits upon becoming Director of collections for Europe an Australian brand, a position she held until 2001.
In 2002 it was the turn, Laurence decided to give free rein to his artistic vocation and leaves the field of fashion to shut herself in his painting studio.
Only after 8 years of exploration work and technique that the artist decides to offer his work to art Gallery.
Oil, a revelation, memory material that keeps track of every move of the artist who incises, cuts, cuddles, scrapes the paint on the canvas. Armed of her knife, Laurence sculpt her faces with energy to deliver us impactful graphic works. The colors are bright and intense, hypnotic eyes, the striking portraits : expressionism takes here is meaning.
“The truth without compromise still has jagged edges,” said the American writer Herman Melville.
Aug 15, 2016
Wetterer
Jacques Wetterer was born near Strasbourg. Graduate in Arts and dental techniques, in which he made a long career. he pursued parallel to these activities, studying biology that will stimulate his curiosity and his infinite love for nature in all its aspects.
Reached the end of his career, he decided to devote himself entirely to his passion, carved reproduction of the animal world.
His experience in modeling and sculpture, his mastery of ceramic materials, plastics and metals allow him to grasp with equanimity this new field, which will provide him with sensations and emotions that are unknown …
The happiness of contact closer to the animals in their environment, motivates the majority of its investments in time and resources.
Jacques Wetterer made trips to Africa to be closer to the animals.
He shoots with a lot of talent and then reproduced as close to reality, bronze or ceramic.
His hyper-realist sculptures are amazing and surprising: hippo full size (2.30 meters for 230 kg of ceramic and resin), rhinos, monkeys humorous situations, elephants with calves … To be even closer to reality, the artist uses dental and optical materials and hair monkeys. « Beware the Gorilla » Georges Brassens sang … We are impressed and amazed at such a love of animals that gives such beautiful results.
The artist Wetterer is a member of the Taylor Foundation, the Marwell International Wildlife Art Society (MIWAS) and Associate Member of the Society Of Animals Artists (USA). He has exhibited in Barcelona, London, and the Carrousel du Louvre with the National Society of Fine Arts. He has received numerous awards for the quality of his work.
Wetterer distinctions:
2015
•Société Nationale des Beaux-Arts. Louvre, PARIS
“Prix Rumsey”
2014
• David Shepherd Wildlife Art Foundation. Great-Britain
“Wildlife Artist of the Year, Wildlife in 3D Runner-up”
2013
• Academic Society Arts Sciences and Letters
“Medal of Vermeil”
2012
• International VITTEL France Salon
“Medal Special Jury”
• Society of Animal Artists. USA
“Award of Excellence”
• National Society of Fine Arts, Louvre PARIS
“TAYLOR Price”
2011
• David Shepherd Wildlife Art Foundation. Great-Britain
“Highly Recommended Finalist”
• National Society of Fine Arts, Louvre PARIS
“Price Georges Hilbert”
2010
• Marwell International Wildlife Art Society. Great-Britain
“Best 3D Sculpture”
• The Wildscape Winners. Great-Britain
Aug 15, 2016
JENKELL Laurence “JENK” was born in 1965 in Bourges.
Leaving quickly academicism of his first works, JENK – JENKELL flourish in a more contemporary style with colors and excessive materials. A traditional canvas succeeds Plexiglas, resin and aluminum, contemporary materials, in harmony with the urban environment that inspires his art.
Seduced by the alchemy of sugar and multiple combinations SWEET, both in its form and in its potential for transformation, Laurence JENKELL accept the metamorphosis of the substance, to keep the idea of sugar that melts on the canvas .
His research is part of a variation of designs with bright colors, with delicious textures and sweet fragrances. With a single glance, the viewer feels transported by this very personal work. His senses are awakened, his smell, his taste, his touch and his childhood memories resurface, pulling like a bee to honey.
The work of JENKELL is a crystallization phenomenon in itself, slow ascent to the final stage: the desire embodied in the object. The CANDY involved in both of that subtle moment when the subject turns to pleasure. Gluttony becomes sublimated, or by a cast aluminum sand or by packaging Altuglas which gives its dynamic to the work of JENKELL.
The sublime object by object: new process developed by the artist to magnify the object by a technique of draping and twisting Altuglas in the purest spirit of candy wrappers.
A specialist speech looks like its candy sculpture is a radical move from the semantic content of Pop Art and New Realism. A profane speech talk of an artistic delicacy which delights our senses and raised by its softness allows to magnify all subjects carried by these sweets.
Exhibited worldwide, Laurence Jenkell now based on a more architectural universe. The robot is one of its new themes.
The work of Laurence Jenkell is represented by many galleries and private collections, public and institutional.
His works are in the collections of Francois Pinault, Martin Bouygues, Françoise Bettencourt, foundations (Datris Foundation KNEIP, Chanel, Cristobal Gabarron, etc.) and museums such as the Museum of Fine Arts of Calais, the Miniatures Museum Amsterdam, Copelouzos Family Art Museum in Athens.
In 2011, Laurence Jenkell at the G20 in Cannes, invents a concept of traveling exhibitions of her giant candy colors of flags.
She exhibited 55 sculptures Candy, monumental versions Flags and combining diverse materials and high technology, for five months in Cannes on the Croisette. A guard of honor of his sculptures Candy Flags welcomes the presidents to the G20 summit in Cannes.
Aug 15, 2016
Alben, star honors in America … The Wall Street Journal …
Alben is a young artist Bordeaux. Self-taught, he exercises his activity as a painter in a studio located above a nightclub on the docks of Bordeaux ( “fabrick”). Fell in art from a young age, Alben was fed by the multiplicity of images, advertising and documentaries that criminalizes “contemporary mythologies.”
These large colorful paintings are directly inspired by the street art and graffiti, but also and especially American pop art of Andy Warhol, whom he admires above all. Hollywood icons, kings, old cars, superheroes … By accumulating images mostly taken from pop iconography from the 50s to today, Alben plays with kitsch, always subtly. This symbolism, which remains enigmatic, establishes an intimate and even spiritual relationship with the viewer.
In addition to paintings, made especially for the bomb and with stencils he makes himself one by one, Alben also features original sculptures. In fulfilling its busts in resin with objects from everyday life, candy or toys for children, Alben remembers his childhood and once again underlines a latent nostalgia, very present in his work.
It is simply the way of being of Alben, autonomous and independent artist. Indeed, his art can not suffer from any classification, any specific categorization may enclose his “maniera” in a specific register. He turned to a transcript of the contemporary immediacy, experimenting and inventing clean technology responsible for digesting forms to erect the status icons. We have to make “a designer craftsman”!
The only purpose of his art, but if we had to assign one, involves the transcription of a raw immediacy. The viewer is then transported in a space-time universe shifted. This touches the ironic vein of his work. Conditioned by a society where the quest for meaning is a leitmotiv, we find ourselves pushed around, if not poor, the face of this gross delivery of images, scripted and transformed through various technical, shattered the traditional cliches of ‘art.
The artist Alben has exhibited around Europe and the United States. He also creates installations in France. His works are in public and private collections in Paris, Dubai, Hong Kong, Australia, Bordeaux, London, Zurich, Italy, Mexico, New York, San Diego and Chicago.
With the release of one of his works in the Wall Street Journal, and a third exhibition in Spring Street, Alben is best known in New York and France.
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